Richard Clark's fStop!

my photographic journey . . .

Tuesday, October 20, 2009

What kids do today :)






I drove down the highway last night, Masterton to Featherston, around 5:30 PM, peak hour traffic in the Wairarapa, the light was amazing, clouds silver grey placing the hills and mountains in a dramatic landscape of layers of light.
I fired off a few snaps, nothing to write home about and then I entered Featherston and took a different way home which had me drive past the new skateboard park. Wow! The silver back lit concrete with stark outlines of kids playing had me stop rather dramatically and back up. Out of the car, I thought I would just get one wide shot of the park, nothing specific, you know how people are today with kids and old men with cameras, :) ! Anyhow, as I took a shot the kids all came over to me and clamored to see what I was doing, "take my picture", "take mine", "what you doing mister?" So I took some shots of the kids and even though I had the 'wrong' lens I managed to snap a couple of goodies, and here they are, enjoy! They are also up on Featherston FaceBook.

Monday, October 19, 2009

Where the Hell is Featherston?



Tucked in the shadow and downdraft of the Rimutakas, dumping ground for the excessive moisture of the Kapiti Coast, on the north shore of Lake Wairarapa, lies the small, blink and miss village of Featherston.
I arrived here about a year ago in a round about sort of way from Wellington, via Napier, Sydney, New York and Venice Beach California. When I heard it said that Featherston was for those people who are totally over them selves I smiled. It took me 58 years to get over the Hill, hopefully not quite as long to get over myself.
And, after all my big city living I feel no sense of isolation at all in a country that by it’s very geographic, political and social nature, is totally isolated. Now I have a link to all that is local and all that is global, I now have:
http://www.facebook.com/featherston.wairarapa
Yes. . . Facebook has come to Featherston!
There is now a community web page of 328 members and it’s growing at an amazing rate.

“Hey nice page! And thanks Shara for organising the Wellington International Ukulele Orchestra to do a workshop in Featherston. It was a hoot! We'll be strumming til the cows come home.”

Asked to write about this phenom I asked some seriously probing questions on facebook
1. How relevant is featherston facebook to your life?
2. Does it show featherston in a positive light?
3. Does it create a sense of community?
4. Do you live in featherston?
5. Were you born in featherston?
6. Is it a good site to find out what is happening in featherston?
How else do you find things going on?

It’s fascinating, as it only started in September 2009 and the voice it has given the community is quite extraordinary and way beyond what the local council has achieved in years of trying.
Facebook is a social networking web site, the face of the present and future state of WWW technology. It will grow. It will connect the dots to communities and to individuals as they have in my life. For small isolated communities this new technology is a life line. A source of news, ideas, connectedness for those who live here, for those who once lived but have moved on and a window for those who may consider Featherston in their future plans. To me this shows the imperativeness of New Zealand having true fibreoptic broadband and not the faux broadband we now have with copper telephone cables.

“I like to tell people it's the perfect example of an online community. People use it as a notice board and it's a great way to find out stuff you wouldn't otherwise know. For example:
*when the water ran out and what was going on
*that you can learn French on Monday nights
*when to take your baby to playcentre and where that is
*what happened to Oh La La
*What green dollars are...

“When I set this page up I thought a couple of people might join. The activity here and the contributions are beyond my wildest expectations and have made me participate more in the community and to meet more people.” - Solitaire

“I have found this to be a great way of spreading information about the Community Centre without spamming everyone...its up to the individual to decide if they want to look at the Featherston events.
Also, I think it takes into consideration the fact that there are many more technically savvy Featherston people than we give ourselves credit for. I like to think that the residents of Featherston are forward thinking & this site is a prime example of this.
Finally I think its a great way of connecting with other Featherston residents...not everyone works around a routine mon-fri 9-5 schedule...it gives residents, young/old/new/established a neutral platform to communicate with others” - Heather

“I'm pretty new but I think it's great!!! I can find out easily what's on in town and also let other people know about exhibitions, workshops, markets, etc!!!” - Monica

As for me, I have 3 Blogs, a Web site and belong to nearly :) every web site worthy of spending time on . . . . picasa, youtube, linkedin, plaxo, flikr, xing, ning, twitter, skype, myspace, lulu, imdb and now Facebook!
Who comes up with these names?

And so the answers to my probing questions were a great snapshot as to how people view their community.
1. on a scale of 1 to 5, 90% were 4 & 5, in the positive
2. evenly divided with ‘yes’ and ‘no’
3. "absolutely, only for those with computers, yes, some more than others, i believe it does, if people participate, definitely, sure does, yeah, I recently moved to featherston and found this very helpful, as above"
4. 12 yes, 3 no
5. 13 no, 2 yes
6. “ I hope so I spent ages uploading all the events”, “it is for me, because I can see what’s happening, wherever I am “, “It is one way, the Pheonix paper is the other”, “yes”, “because I live in Sydney now it lets me check up”, “my first port of call”, “excellent”, “Not too bad!”
7. “How else?”, “free newspapers?”, “Supermarket NoticeBoard?”, “grapevine?”, “ask heather at the community center?”, “my family still lives there”, “word of mouth?”, “People talking?”

And so there it is, Featherston has gone from whoa to go in a very short period of time with their very own FaceBook page and a growing sense of self. Featherston is now connected through friends of friends of friends all over this planet!

Saturday, October 3, 2009

" Barry, the Temuka problem is under control"







So, where the bloody hell is Temuka?

. . . and so, thursday the 24th september I caught the 7:12am featherston train to wellington, bags safely stowed in the rear carriage, me comfortably ensconced next to some fellow who didn’t even bother to acknowledge my presence. The conductor, ticket clipper, whatever they are called these days, railway inspector, railway host, whatever, well he made up for it. Off we trundled, I say trundled because the kiwi train experience is not a smooth ride, old carriages, crappy rails, whatever. However, Lake Wairarapa in the early morning light totally made up for it and then through the tunnel and out into the Maymorn light and all the way to Wellie, my birthplace. I had checked the rail schedule/timetable whatever, over the internet and printed it out, I didn’t realize until I was at the airport that one ticket would have taken me the whole nine yards, Feathie Station to Wellington International Airport. What a great service and the region has a great deal to be grateful for. I never did that in all the years I lived in the US. Featherston Rail Station is but a 5 minutes day dreaming walk from my home. Airport baggage check in is but 2 minutes from where the bus dropped me off. 2 hours door to door, not at all bad considering I waited half an hour for the bus in Wellie. A somewhat cramped and bumpy flight at 26000’, no view, total cloud cover, no communication with the people sitting either side of me in the cramped seats. I was always lead to believe Kiwi’s were a friendly bunch . . . yeah right!
My friend Sandie collected me from airport, we cruised Christchurch, photographed my dad’s burial spot on the Avon River in Hagley Park, enjoyed a coffee, cruised through the Cathedral and smiled at the commercial nature of the church in this day and age, drove toward Little River, stopping at the beach cottages of Birdling Flat and smiling while trying not to laugh out loud aka lol, watching a camper van try and drive over a beach track that was very clearly marked as 4 Wheel Drive Only. OOPS!
Oops indeed, as we could see it digging itself deeper and deeper into the shingle as it spun wheels hopelessly. Not a good sign. But Birdling Flat is truly beautiful, the real kiwi batch beach, the color of the ocean a creamy blue green, crystal clear waves breaking and not a place to swim. The batches in various states or disrepair or expensive renovation, a fast disappearing Kiwi Iconic lifestyle as money talks and people walk :)
Little River is a glorious old settlement and Sandie’s sister Norma, farms peonies and black faced sheep, sadly the weather was socked in with rain clouds and so the colors were rather muted but still, it’s a glorious spot. I managed to keep my camera in it’s case and simply enjoyed the experience. The afternoon was spent preparing dinner for Norma’s birthday and it was great being able to observe siblings working around each other. I miss that, the family connection but, as mine are far flung, for me it is but a dream.
The birthday party was smaller than expected but it was certainly lively with Norma, Sandie, Margaret and Me. Great company, great dialogue, good ideas.
The truth well told, far away from the stullifying political correctness that is killing the great kiwi spirit.
Friday morning and still no sun but tea and toast made up for it and out amongst the farm animals, fed chooks and got to know the black lambs. Seriously cute but I am not a farmer, as much as I love the great outdoors.
Packed, we drove South to Timaru via Rakaia, Ashburton and Temuka where we checked into the old Temuka Pub. In Timaru we explored the harbor and coast, the cemetery, city streets, cafes, shopped for winter woolies and then headed north to Temuka and had dinner at an Irish Pub, great food, great atmosphere and quite remarkable the conviviality of a small New Zealand town, quite different from my North Island experiences. It appeared or at least seemed to me that the people have more sense of community on the mainland, Pounamu. Maybe it’s my vivid imagination but somehow I don’t thinks so as every where I went, everyone I spoke to, it appeared there was a willingness to engage, to share.
Up early Saturday we found a great cafe behind the main shops, breakfasted and then explored Temuka by foot, finding many of the places and people who populate the film I had edited and the reason for me being in the South.
No Petrol | No Diesel, a full length independent feature film made on the smell of a very, very small oily rag, NZ$40000.00! Written and directed by Stef Harris a Christchurch writer/policeman. I was invited to edit only after it was shot and editing had already started. I had a great time taking it somewhere rather than where it was. That is what I love about film editing, pure story telling and flexibility when & if, the producer & director & editor trust the relationship and the process, with Stef this was certainly the case and it was certainly a great relationship. I hope we get to do it again, soon :).
Anyhow, here we were, invited to a Red Carpet Civic Reception and a screening of the film at the Theatre Royal in Timaru, followed by dinner back in Temuka.
This is my first experience of this kind in the land I left 45 years ago.
As we explored Temuka on foot, we found Devlin Motors, which features in the Film. Fortuitously we met and enjoyed a great conversation with Anthony at Devlin Motors. It was quite amazing to simply bump into him on a Saturday morning and have an in-depth discussion of small town politics and the inventiveness of kiwis. The other person in the discussion, his name sadly escapes me, is building a bicycle based on the original plans of ‘Mad’ Richard Pearse who, arguably made the first manned flight in the World, certainly the first in the British Commonwealth, back in 1903. Some would have it that Orville and Wilbur Wright were the first but then I am a Kiwi and so, of course it had to be ‘Mad’ Richard who was first. I was once married to Christy, whose father Jack Carlson, worked at Wright Patterson Air Force base in Dayton Ohio. Jack was lead design engineer on some large bomber, a B50 or something. I used to love teasing him about Richard Pearse and of course he rose to the bait.
If there is one thing I love about my homeland, it is the inventive #8 fencing wire attitude that is still to be found away from the Beehive and Auckland. I could have stood talking to Anthony and his friend for ages. He also gave us directions to the Richard Pearse Memorial and so we drove out there and on to Opihi and Hanging Rock, discovering, totally by chance the film shooting locations of No Petrol | No Diesel. We lunched at Opihi Vineyard, getting into a great conversation with the owner, Alan Lambie. South Canterbury’s only Vineyard.
Back at the Temuka Hotel after showering, shaving, dressing, prepping and primping for the evenings celebration, we joined a large party of Film Crew and Actors assembled in the Hotel bar, it was great to finally put names to faces. At 4:30, on the dot, we were bussed to Timaru and the Theatre Royal for a red carpet welcome and civic reception. It was an amazing turn out of the people and politicians of Timaru and South Canterbury in support of a film shot with such a small budget but with an enormous passion and professionalism. As the Mayoress stated, a small independent Hollywood Film is made for 2 million! No Petrol | No Diesel was made for about 1% of that!
I was in two minds but finally decided to take my camera and so filmed the reception, even though I felt I was hiding behind the camera but also managed to interact with many, many people. I was the only one to record the proceedings unfortunately but I now have an invaluable record. A gift to the producers no doubt.
I was very generously congratulated by cast and crew for my editing, I also, somewhat embarrassingly, found out that the director referred to me as “Good Richard” as against “ . . . “ but that is another story :) for another day, maybe.
The film was screened to sustained applause and then we were all bussed back to Temuka for dinner and drinks provided by the Timaru Council, who I found, had invested in the film. A great peice of PR. Hopefully the film will be accepted into the Sundance Film Festival set for early next year, fingers crossed please.
My table companions were Anthony from Devlin Motors, the location for much of the filming, and his parents who were simply amazing and totally inspiring as an old farming couple. Alive, intelligent, witty and full of sparkle and love for each other. I could spend days listening to their stories. I also enjoyed a great chat with the director Stef over drinks back at the pub. It seems strange to say that but Stef is based in Christchurch as a working policeman and I am based in Featherston as a sometime working . . . and so we had only spent 3 days together during the editing, Stef would fly and drive north to view where I was taking his project, such was the level of trust we held each other in, thank god I delivered a good film :) !
Otherwise he could have had me arrested! She-it, didn’t think of that before.
Early Sunday we cruised Temuka and back to Opihi Vineyard for brunch and then, at the invitation of the owner, we tramped over wet soggy paddocks to explore 800 year old maori carvings, shooting hundreds of digital images, the light was perfect with flat overcast skies. It was an amazing experience. A limestone gully that is remote and challenging to get to. Very little sign of human interference.
Next morning we drove to Christchurch, stopping at Rakaia for lunch on the go. I just managed to catch the plane as I had forgotten to reset my watch to daylight hours or whatever the stupid politicians call it. We landed in Wellie after a great flight to be met by Emily, drove to Cuba Street for coffee and bought fresh fish at Wellington Trawler, drove home over the hill and relaxed over dinner.
It was a very surprising and very enjoyable weekend spent with old friends, new friends and the accolades of a job well done. I can only hope that more film will come my way and that I continue to share my vast overseas film experience with kiwis who are open to it.
I say that last as a reflection of my own point of view as there appears to be quite large divides through out New Zealand society and the film industry in particular.
First there is the Peter Jackson aka Hollywood Film industry which, based on my own personal experience does no great favors to local independents, albeit providing world class facilities, at a price :) and then there is the real New Zealand film industry of small passionate companies and film makers spread far and wide and finally, and disappointingly, there is the New Zealand Television industry which appears, again based on my own personal experience :), not to support or encourage New Zealand film makers.
Of course there are those, who WILL remain nameless :), who appear to live continuously off public funding, thus denying others access to film funding. Just my observation and totally open to being challenged. The British who I don’t totally trust, appear to have a system of funding that works, there is another essay I guess.
It was a great weekend. No two ways about it!
Cheers, Richard.

Thursday, October 1, 2009

http://lens.blogs.nytimes.com/

MAY 17, 2009, 7:18 PM
Essay: Slow Photography in an Instantaneous Age

By FRED R. CONRAD
Fast is fine, but slow can be much better.

Digital photography and the ascent of the Web have quickened our jobs. Instead of one deadline a day, we now have continual deadlines, bringing exponentially increasing speed to what we do at The Times.

One advantage of using larger formats is that the process is slower. It takes time to set up the camera. It takes time to visualize what you want.

When doing portraits, it enables the photographer to talk and listen to subjects, to observe their behavior. A camera can trap a photographer sometimes. You can look so intently through a viewfinder that you are unaware of the picture in front of you. When I use an 8-by-10 camera for portraits, I will compose the picture and step back. Using a long cable release, I will look at the subject and wait for the moment. It’s very liberating.

Some of my portraiture work for a Metro section series “Tribes of New York” included “The Ushers,” “The Messengers,” “The Goth Girls,” and “Ladies of the Red Hat Society.”

The same technique worked for me when I photographed architecture for the “Geometries” series. But there was another liberating aspect, too. With exposures that may take as long as an hour, you really don’t know what the end result will be. There is a little bit of faith involved, and a lot of imagination. That, and the fact that you have to wait to develop the film, just adds to the excitement.

When the Lens project started, I hadn’t shot large format black-and-white film for quite a while. In fact, there is no dark room in the new Times headquarters. Lucky for me, Chuck Kelton and his Kelton Labs are still around. Then I needed to settle on a film and developer. I ended up with Fuji Neopan and Efke 25, made in Croatia. For a developer, I chose Rodinal. It’s been around since the 1890s. It was made by Agfa, which no longer exists, but I found a store in Hollywood, Freestyle Photographic Supplies, that carried both the film and developer.

One memorable experience during this project was photographing the one remaining Loew’s Wonder Theater that still shows movies. Loew’s built five Wonder Theaters in the New York metropolitan area in the late 1920s. Two of these movie palaces are now churches. One no longer has its Wonder organ or a movie screen; instead, it hosts music events and boxing matches. One has remained vacant and decaying since 1984. And then there is the Jersey Loew’s in Journal Square. The theater is being restored. It has an original Wonder organ that plays. They even show movies.

I shot the theater from the balcony, while the movie “Blade Runner” was playing. I had no idea how long to leave the shutter open. Since the movie was two hours long, I decided to make two exposures — an hour each. It was during those two exposures that I realized how different and special it was to be shooting on film. When you shoot digital, the images are quick and you spend more time looking at the back of your camera than you do seeing.

I hope that film and large-format cameras stick around for a while. I love the results and I cherish the process. More importantly, when I have the time and opportunity to shoot big film, I feel a connection with photographers who came before me. That may be the most important reason.

Dead Center of Town!



just got back from temuka and the Mayoral reception in Timaru, spent time visiting the dead center of temuka, will post photographs, read the full report on kiwicafe blog, :)

Monday, September 21, 2009

no water!






this morning i came home from walking myself and my dog to find I had no water. turn on the tap to make coffee before I turn on the taps to take a shower, no water. whoa, no water. what an amazing wake up to my self. no water. we are, i believe, about 80% water. we need water to drink to live, to breath, no water, we are dead, simple really. we need water to grow our food, we need water to produce our power, we need water, pure and simple.
what an amazing reminder. i checked out the internet, the local featherston water supply had burst a main at boar gully road. the local featherston council had posted a message on the featherston facebook. kudos to the council. grey brothers supplied a tanker of water at the local anzac hall and now, mid day, the water is back on again. i now have a 10 gallon container of water in my shed and i will buy and fill another one. I will not replace my water tank with a flash heater, with those systems there is no holding tank. otherwise i need to look at a system where I have a water back up. maybe a large tank, 100 gallons that my water flows into before reaching the house. water. it’s our survival on this planet. no water, no life. today as i edit my zane grey film i am selecting scenes from the mogollon rim in central arizona, usa, beautiful, cold, clear, trout filled streams cascade down the mountains and into the valleys. without that resource there would be no settlement, no farming, no crops, no beef, no elk, deer or mountain lions. water. we all need it. how many of us appreciate it? i sort of do, did :) now i totally understand. to turn on the tap to draw a glass of water to drink, nothing, zip, zilch, nope, nada. no water. i have felt a thirst all day since i couldn’t drink and for some reason it is resonating with me more that usual. total appreciation for aqua, h2o, water. now it’s back on i can shower, shave even, wash the dishes.
so what can i do to save the water. first i can pay attention to what i use it for. first and foremost i need it for drinking. i don’t need to wash the car, water the lawn or wash the dog. i haven’t washed my car for two years. i don’t mow my lawn, i grow natives and i grow vegetables and fruit trees and roses and i have found, both in venice beach and featherston, that they do just fine if i don’t water, in fact the roses seem to do better. i shower when i feel the need, i shave every few days, i do wash the dishes regularly. i use water to cook, i will use less, boil less, steam more.
water. what an interesting experience, something so simple as having a water main burst can teach us so much, if we are open to the lessons of life. i do know there are those that will rail against the council, who will complain rather than viewing the situation as a lesson, a wake up call.maybe we need more such moments to teach us that our resources are not absolute, nothing is guaranteed in life, that i know. not even happiness. life and death. period.

Saturday, September 19, 2009

What color am I?




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Re: EFEFEF, my cars number plate :)

Ok here it comes :) Assuming you don't have a lot to do with RGBs or hex... apologies in advance if otherwise.

Colours to a screen are written as a combination of Red/Green/Blue values, RGB. Values for each colour go from 0-255 (256 possibilities incl the 0), so pure white (all colours full on) is 255-255-255. Black is no light ie 0-0-0. Pure blue (no red, no green, just full blue) is 0-0-255 and bright yellow is 255-255-0 (ie no blue). A colour like 255-204-102 is full red, quite a lot of green and less blue which makes an orange shade.

When you write RGB values in code you use hexadecimal (base 16, cos it's a computa) instead of decimal. Decimal 255 is hex FF (16*16), so white in RGB is FFFFFF, pure blue is 0000FF, bright yellow is FFFF00 etc. The orangey shade is FFCC66.

Even colour balances like FFFFFF or 6A6A6A or 282828 fall along a line from white through grey down to black.

So, EFEFEF is evenly balanced but not quite pure white ... just an off-white. That's what we concluded you were, wasn't it? :)
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this is sent to me by fellow featherstonian, Rowan Smith, applause to rowan please . . . . I guess after all I am off white, somewhere between a Pakeha and a Brownout, I guess :)